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| Visitors don booties and can explore how the colors fade into each other, forming a spectrum. |
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| The show is loosely curated, but that’s a plus, since we get to see a huge array of artists and works. Here, Carlos Cruz Diez’s Chromosaturation (2008), a trio of galleries lit with pure RGB shades. |
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| Light Show, a new exhibit at Hayward Gallery in London, pulls together 25 pieces of light art that spans 50 years. |
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| Young London artist Conrad Shawcross’s Slow Arc Inside a Cube IV (2009), borrows its shapes from the molecular structure of insulin. |
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| David Batchelor’s Magic Hour, from 2004 and 2009, is meant to evoke the color of Las Vegas at dusk. |
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| Leo Villareal’s Cylinder II is made from 19,600 white LED lights. |
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| The lights are programmed to drift and sparkle in ever-changing arrays. |
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| Ivan Navarro’s Burden gives visitors a glimpse inside the interior of a minimalist skyscraper. |
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| Inside Reality Show, visitors seem to "disappear" in the array of reflections. |
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| In Jim Campbell’s remarkable Exploded View (2011), each light acts as a pixel. As you move around the array, an image comes into perspective. |
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| Anthony McCall was one of the first artists to work with light in the 1970s. His piece You and I Horizontal (2005) is meant to evoke the experience of walking through "solid" light. |
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| Ann Veronica Janssens, a U.K.-born artist who lives in Belgium, uses fog and lights to create a glowing star in mid-air. |
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| Brigitte Kowanz’s Light Steps (1980) turns light into architectural space. |
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| The Welsh artist Cerith Wyn Evans’s piece, S=U=P=E=R=S=T=R=U=C=T=U=R=E (2010), glows and fades like a living organism. The bulbs even give off heat. |
